BIGGER, STRONGER, FASTER*, a funny yet emotional documentary about performance enhancing drugs that unflinchingly explores our win-at-all-cost culture. In select theaters beginning May 30th!

In America, we define ourselves in the superlative: we are the biggest, strongest, fastest country in the world. We reward speed, size and above all else: winning – at sport, at business and at war. Metaphorically we are a nation on steroids. Is it any wonder that so many of our heroes are on performance enhancing drugs?

From the producers of Bowling For Columbine and Fahrenheit 9/11 comes a new film that unflinchingly explores our win-at-all-cost culture through the lens of a personal journey. Blending comedy and pathos, BIGGER, STRONGER, FASTER* is a collision of pop culture, animated sequences and first-person narrative, with a diverse cast including US Congressmen, professional athletes, medical experts and everyday gym rats.

At its heart, this is the story of director Christopher Bell and his two brothers, who grew up idolizing muscular giants like Hulk Hogan, Sylvester Stallone and Arnold Schwarzenegger, and who went on to become members of the steroid-subculture in an effort to realize their American dream. When you discover that your heroes have all broken the rules, do you follow the rules, or do you follow your heroes?

When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine. BLINDNESS, starring Academy Award®-nominee Julianne Moore, Gael García Bernal, Mark Ruffalo, Sandra Oh and Danny Glover, is a psychological thriller about the fragility of mankind. Adapted from Nobel Laureate José Saramago’s masterwork, the film is directed by Academy Award®-nominee Fernando Meirelles (“City of God”) from a screenplay by Tony Award-winner Don McKellar (“The Drowsy Chaperone”).

Blindness

Provocative and suspenseful drama, “BRIDESHEAD REVISITED” tells an evocative story of forbidden love and the loss of innocence set in the pre-WWII era. In the film, Charles Ryder (Matthew Goode, “Match Point,” “The Lookout”) becomes entranced with the noble Marchmain family, first through the charming and provocative Sebastian Flyte (Ben Whishaw, “Perfume: The Story of a Murderer”), and then his sophisticated sister, Julia (Hayley Atwell, “Cassandra’s Dream” and the upcoming “The Duchess”). The rise and fall of Charles’ infatuations reflect the decline of a decadent era in England between the wars. Academy Award-winner Emma Thompson co-stars as Lady Marchmain.

The film, based on Evelyn Waugh’s acclaimed novel is adapted for the screen by multiple BAFTA Award-winner Andrew Davies (“Bridget Jones Diary,” “Bleak House”) and Jeremy Brock (“The Last King of Scotland”) and directed by Julian Jarrold (“Becoming Jane”).

An ancient urn chained to a coffin is unhearted by chance by some men at work along the road bordering the Viterbo’s cemetery. The urn contains an age-old tunic and some objects belonging to Mater Lacrimarum, the Third Mother (Moran Atias). The only survivor of the Three Mothers - three powerful witches who had been shedding blood and terror for aeons - Mater Lacrimarum (the Mother of Tears) has been hiding in Rome for centuries and her awakening triggers a chain of mysterious and terrible events: the Evil is back to cast its dark shadow over the city.

Sarah Mandy (Asia Argento), a young student of restoration, co-worker and love’s interest of Michael Pierce (Adam James), the curator of the Museum of Ancient Art of Rome, is involved in the escalating and increasingly frantic episodes of violence. Sarah tries to run away but she cannot: the Third Mother is looking for her and Sarah is not aware of the fact that her mother Elisa Mandy (Daria Nicolodi) was a powerful white witch brutally killed by Mater Suspiriorum, the witch from Fryeburg.

Helped by the spirit of her mother, by an eminent esoterism academic, Guglielmo De Witt (Philippe Leroy), and by the Chief Constable Marchi (Cristian Solimeno), Sarah realizes that she has no way out and that she must face the impending threat…

The Mother of Tears - In Theaters June 6, 2008!